To coincide with Sydney’s Head On Photo Festival, this week I’ve interviewed artist (and Sydney Morning Herald photographer) Tamara Dean who is currently exhibiting her show ‘Only Human‘ at Tim Olsen Gallery in Sydney:
“I am [also] interested in the relationship between humans and nature, or more specifically the Australian bush. How we interact and engage with the natural world and with each other…”
“Last weekend the new exhibition Contemporary Australia: Women featuring more than 50 contemporary female artists opened at the Gallery of Modern Art(GoMA) in Brisbane. Meanwhile just across the river and not-too-far down the road in Brunswick Street, a solo exhibition and ‘mini retrospective’ by one of Australia’s better known contemporary artists, Mikala Dwyer, has recently wound up at the Institute of Modern Art (IMA)…”
Read the full review of Mikala Dwyer’s ‘Drawing Down the Moon’ at The Art Life.
[Image used with permission from Roslyn Oxley9 Gallery].
If you’re into social media you’re probably already heard about the new platform called ‘Pinterest’. ‘Pinterest lets you organize and share all the beautiful things you find on the web’. But there’s a proviso …and it’s called copyright.
Read my article about Pinterest, art, artists and copyright (and Italian Vanity Fair!) at The Art Life.
Last week a friend asked me who were the most interesting people in Australian art to follow on twitter. While attempting to make a list from those I’m following, I realised Peerindex could do all the work for me. It also ranks tweeters according to their social ‘influence’.
According to critic and writer Andrew Frost, in his latest show artist Laith McGregor ‘ups the weirdness’ [Sydney Morning Herald 2 March ’12]. Read our full review of the exhibition ‘Ohne Titel (Them Listless Folk from Apocryphal)’ at Sullivan and Strumpf Fine Art (Sydney) at The Art Life.
On Tuesday I stumbled into an exhibition in Sydney with the title ‘The Chairs’. Yan Fletcher and Josh Murray (who met via facebook a few years ago) have collaborated to bring their respective talents of design and drawing to this show.
Beginning with a chair discarded by the road or purchased on ebay, Yan takes each chair and interprets it in its most simple form – in charcoal on paper. Josh then goes about the restoration process using materials that keep the original character but add some personality and a dose of quirkiness to each one-off piece. High gloss black paint, grey felt upholstery and pieces of natural leather are over-stitched to make ‘corsets’ for the chairs. It all started with Louis (a Louis XV salon chair) and now Bentley, Henry, Belle, Greaney and Carol have joined the bunch.
See them all on the joshandlouis website or visit them in person at Depot II Gallery at 2 Danks Street, Waterloo before the exhibition closes on 3 March 2012.
For the past four years Ryan Renshaw Gallery in Brisbane has held an exhibition under the title ‘Test Pattern’ which gives several graduates fresh from art school their first taste of the commercial art world. This year’s exhibition includes the work of six artists in varied arts practices – Jared Worthington, Hannah Piper, Caitlin Franzmann, Yavuz Erkan, Dord Burrough and Dana Lawrie.
Kathryn Brimblecombe-Fox launches her new book ‘For Everyone: Words & Paintings’ at FireWorks Gallery in Brisbane this Thursday 23 February. An exhibition of 30 original paintings from the book will also be on show at the Gallery. ‘Asleep’, one of the images from the book, together with the accompanying prose appears below.
Lismore Regional Gallery is the first Gallery of eight in NSW to host a touring exhibition from Bathurst Regional Art Gallery (BRAG) entitled ‘Light Sensitive Material: Works from the Verghis Collection’. Curated by Richard Perram, Director at BRAG, it’s an exhibition that includes numerous well-known contemporary artists Shoufay Derz, Hayden Fowler, Shaun Gladwell, Newell Harry, Petrina Hicks, Jonathan Jones, David Knight, Rosemary Laing, Vanila Netto, Michael Riley, Julie Rrap and Hossein Valamanesh to name only some… All works are on extended loan to BRAG from London-based Australian collector Rachel Verghis.
Oksana Waterfall is a visual artist based on the North Coast of NSW. She is currently studying for her postgraduate Advanced Diploma in Fine Arts. ‘Personal Geometry‘ is her first solo show.
The exhibition “is a glimpse at the people the artist comes across in her everyday life. Finely crafted and of an intimate scale, the drawings are from a timeline of everyone she talked to in a random two week period. They represent clusters of similarity and commonality (the teenagers and friends, their fathers, the mothers) but also those particular idiosyncrasies which make us individuals”.