“…According to Artistic Directors Catherine de Zegher and Gerald McMaster in Stories Senses and Spheres [the subtitle for Cockatoo Island] the Biennale audience is invited to participate and engage in ‘new ways of looking at the world’. On the Island, they said, we are invited to zoom in close as the artists explore aspects of the microcosmos.”
“…at Galerie pompom, artist and COFA final year PhD student Kylie Banyard is currently exhibiting her solo show ‘Dwelling’. Galerie pompom is a compact and friendly space. It already seems as if it’s already an important part of the neighbourhood with passers by popping in. As you may have already guessed from the title of the show, spaces (and places) are very important to Banyard whose PhD thesis ‘explores the convergence of two figurations of the outmoded within [her] practice-based research, namely, specific optical viewing devices and the alternative social model of the hippy/artist’s commune.’”
I recently received an email about a new exhibition for Sydney painter George Raftopoulos. I knew George hadn’t had a Gallery show for a couple of years so I’d been thinking about speaking to him for The Art Life when he popped up for a online chat one evening last week. Read what happened in our interview on The Art Life.
[Image used with the permission of the artist and Art Equity, Sydney.]
According to critic and writer Andrew Frost, in his latest show artist Laith McGregor ‘ups the weirdness’ [Sydney Morning Herald 2 March ’12]. Read our full review of the exhibition ‘Ohne Titel (Them Listless Folk from Apocryphal)’ at Sullivan and Strumpf Fine Art (Sydney) at The Art Life.
Last week I attended the opening of ‘Nothing Like Performance’ at Artspace in Sydney. The exhibition presents the work of five artists – Matthew Bradley, Lauren Brincat, Paul Donald, Will French and Yiorgos Zafiriou and the collaborative practice Brown Council (with artists Fran Barrett, Kate Blackmore, Kelly Doley and Diana Smith). Read the full review here.